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Indian Cardinal condemns "The Last Supper" depiction at 2024 Paris Olympics opening ceremony

The drag show at the opening ceremony of the Olympics in Paris. (Photo: News 18)

An Indian cardinal unequivocally condemned the portrayal of Leonardo da Vinci's iconic painting "The Last Supper" during the opening ceremony of the 2024 Paris Olympics as reprehensible.

“This sacred event, which commemorates Jesus Christ's final meal with His disciples, is of immense significance to Christianity. The parody of this profound moment during an international event watched by millions is not only deeply offensive but also a blatant display of insensitivity towards the religious sentiments of believers worldwide,” said Cardinal Oswald Gracias, the Archbishop of Bombay in a press statement on July 29. 

“This incident has ignited widespread outrage and highlighted the urgent need for respect towards religious beliefs in artistic expressions, particularly at globally significant events like the Olympics,” he said. 

“The organizers of the Paris Olympics need to address this grave incident with the seriousness it warrants, the current apology issued but the Olympic committee is extremely condescending and a poor attempt to appease everyone. I do believe that appropriate actions must be taken to rectify this offense and to ensure that such disrespectful acts are never repeated,” Gracias said.

“In these times of increasing intolerance, division and conflict, it is vital to adhere to the teachings of compassion and understanding. Let us work together to foster an environment where all faiths and traditions are honoured and respected,” he added.

The cardinal also prayed to God saying, “May God bless us all with the wisdom and strength to uphold the principles of love, respect, and unity.”

 

Radio Veritas Asia (RVA), a media platform of the Catholic Church, aims to share Christ. RVA started in 1969 as a continental Catholic radio station to serve Asian countries in their respective local language, thus earning the tag “the Voice of Asian Christianity.”  Responding to the emerging context, RVA embraced media platforms to connect with the global Asian audience via its 21 language websites and various social media platforms.